The Bitwig Connect 4/12 is an audio interface that features Eurorack compatible CV inputs and outputs for direct intergration with your modular. How well does it work? Let’s find out. Bitwig lent me the Connect for review which they are having back afterwards and no money has changed hands. They have no say over the […]
Continue Reading
The AR-110 is a compact metal box of five analog drum sounds with individual outputs and level control – that’s it.
Continue Reading
The dust has settled on another Superbooth filled with fabulous objects of electronic grooviness and now we can step back and take a few moments to share some thoughts on the ones I thought were most interesting. I was there for a day, didn’t get to see very much, but i did talk to some […]
Continue Reading
Here are my picks of the best synths currently available for under $1000 or thereabouts.
Continue Reading
Rosa is a four-into-one or one-into-four voltage modulation morpher. It can seamlessly morph between modulation inputs or outputs in a continuous loop.
Continue Reading
The triple featured Oscar Tria offers regular waveforms, swarming oscillations and polyphonic chord modes within a Eurorack, CV-controlled context.
Continue Reading
Crazy machines, a lot of Synthesizer Expander Modules, and a bucket full of modular feature in this month’s music tech roundup.
Continue Reading
GForce pulls the two-voice, duelling SEM, sequence and keyboard-driven TVS Pro into the software realm. It’s effortlessly retro, sumptuously old fashioned and plays very differently to regular synths.
Continue Reading
How lofi could a synth sound if you kept shovelling on the vintage vibes? Let’s find out with Arturia’s Pure LoFi virtual synthesizer source of sumptuous degradation.
Continue Reading
Zany crazy dual filter thingy, the ROW from HEX, is mad and destructive but also easy and fun to build. I’ll take you through every step and get you to the hell-mouth of filtering.
Continue Reading